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15/01/2009
When you’re presenting strategy – elegance matters.
The difference between Apple and PC is, in my opinion, design. The calligraphy
class that Steve Jobs attended at Reed College added the degree of elegance
to Apple’s products that have enabled it to position the PC as, well,
so pc. Design does matter, as much in the world of intangible strategy as in
the concrete world of the desktop computer.
The outcome (or deliverable) of a strategy is usually an implementation plan,
so the content of a strategy is geared to the future. The success of the strategy
depends very much on the outcomes achieved after it is implemented. For that
reason, a strategy can never be proven to be ‘right’ or ‘wrong’ during
its useful life. As a case study it can prove of immense value, but then it’s
an historical case study and not a strategy. Until someone invents a time machine,
a strategy provides the ways and means to achieve a future objective – proof
only comes with time. Mathematicians refer to Pythagoras’ Theorem as
a ‘beautiful’ proof. In this case it possesses not only beauty,
but also truth. As we cannot know the future, strategy cannot possess truth – it
has only the beauty component that allows it to resonate with its audience.
It’s elegance.
How can strategy be elegant? That’s probably a matter of opinion, but
once again the field of mathematics has formalized what elegance means for
them (and they don’t have the advantage of using full colour imagery,
even music, in their proofs – they are restricted to numbers and letters
and squiggly things that only they know the meaning of). However, luckily for
us, mathematics has defined what it means by describing a proof as beautiful:
- It uses a minimum of previous results (i.e. data)
- It is short
- It derives a result in a surprising way
- It is based on new and original insights
- It can be easily generalized to solve a family of similar problems.
I feel that the following strategy is an elegant one, although many may not
agree:
My good friend Max Blumberg and I decided (sometime during the 1980’s)
to visit Sun City. We were both somewhat unusual, in that we would do unusual
things. Such as sitting at a street café calling out ‘Michelle’ to
every girl who walked by. Approximately 1 in 20 girls responded with great
excitement that they had been recognized. We also claimed (loudly) to be born
at the same time (true – 7th November) at the same place (true – where
the legs meet the thorax). Max was gifted at playing the piano. I was tone
deaf. We were a formidable team.
There was a giant parking lot outside Sun City where day visitors were instructed
to park. Max confidently drove up to the gate, and informed the guard that
we had come to collect our instruments from the Lucas Mangope Room. The guard
stated that we were not ‘on the list’. Max refused to back down. “But
how are we supposed to get our equipment?” he exclaimed with so much
urgency that the problem was clear to see. The guard then stated that we
could drive in, but if he did not receive our registration details from the
hotel, we would be in trouble. We agreed.
I did not understand what Max was doing, but it was to become abundantly
clear when he parked outside the hotel, strode to the reception desk with
a confident gait, and proclaimed to the pretty girl behind the counter: ”Hi, I’m
in room 5142 – I’m expecting some friends to join us for lunch,
would you please be a darling and phone the gate to let this registration number
in?”.
We had a whale of a time in the casino. And we got to stay over when we
were offered a room by a young lady whose friends had not arrived. So, we
weren’t
day visitors after all.
What an elegant strategy.
An effective strategy uses the minimum of data, is brief, has a fresh approach,
has current insights and could be understood by a ten year old. That’s
elegance.
When pitching for new business, the prospective client does not want to see
that you have done your homework. They want to feel it. It’s so beautiful
when the presenter proceeds straight to the heart of the matter with insight
and sensitivity, so that the process can move forward, as opposed to wallowing
in a sea of supposition further clouded by data which is as appealing as a
soggy sand-filled bathing costume.
About the author
Sid Peimer has had a number of beliefs which have been corrected by his wife.
He is currently performing Pitch Secrets – details on www.stratplanning.com.
He also believes that he works for the full service agency www.BEHP.co.za,
yet they have yet to see some action.
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